Two Russians

Shostakovich and Rothko

Today is notable, among other things, in that it is both the birthday of Dmitri Shostakovich who was born in St Petersburg in 1906, and the birthday of Mark Rothko who was born in Dvinsk, Russia three years earlier to Jacob and Anna Goldin Rothkowitz.  Dmitri would become one of the greatest composers of the twentieth century as he lived long enough to see the end of the Stalin era.  He suffered during that period and this shows in his music, especially the string quartets which rival Beethoven's in their personal intensity.   Mark Rothko's family emigrated to the United States before the great War, settling in Portland Oregon where Mark would begin a life in America that would lead him to a position as one of the leaders of the Abstract Expressionist movement in Art (although he rejected that label).

Shostakovich has always been one of my favorite composers, beginning with my discovery of his symphonies when I was in college, especially my favorites, the Fifth and the Ninth.  I still remember studying the score for the Fifth Symphony on Saturday mornings at the listening room of the local library in Madison, Wisconsin where I was a student at the University.  My love for his music has only expanded over the years with the most recent highlight being attendance at a performance of his comic opera, MOSCOW, CHERYOMUSHKI, at the Chicago Opera Theater earlier this year.


I also recently expanded my appreciation for the work of Mark Rothko when I saw a performance of John Logan's Tony Award-winning drama, Red, about artist Mark Rothko and an assistant at the Goodman Theater last year.  The image on the right is "Four Darks in Red" (1958).

Passion for Meaning in Music

Gustav Mahler

If a composer could say what he had to say in words he would not bother trying to say it in music.

- Gustav Mahler

Gustav Mahler (7 July 1860 – 18 May 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers. There was a particular resurgence of performance of his music in the 1960s which his when I was introduced to his symphonies. His passion for music, his personal focus both on death and the meaning of life resonated with audiences then and to this day.

Born in humble circumstances in rural Bohemia, Mahler showed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism from Judaism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.

Mahler's œuvre is relatively small—for much of his life composing was a part-time activity, secondary to conducting—and is confined to the genres of symphony and song, except for one piano quartet. He would regularly spend summers in the country outside Vienna composing and the sounds of nature along with fold songs often shine through his work. Most of his ten symphonies are very large-scale works, several of which employ soloists and choirs in addition to augmented orchestral forces. These works were often controversial when first performed, and were slow to receive critical and popular approval; an exception was the triumphant premiere of his Eighth Symphony in 1910. Mahler's immediate musical successors were the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work.

Running and Shostakovich

As I run early in the morning the sun is just beginning to light up the horizon over the lake with dawn imminent.
Saturday morning the neck of land reaching around the northern part of Belmont Harbor showed trees that were clearly outlined while further in the distance the trees and the horizon beyond was in a mist as if painted by some long forgotten impressionist painter. The urge to stop and enjoy the view was great but I moved on at a pace dictated by the music surging through my head from the digital music player I carried in my pocket. The player, not much bigger than a business card, was playing the first movement of Shostakovich's Fifth Symphony. For almost forty years one of my favorites, it expresses the tension and arc of a lifetime with moments of sublime beauty that rival nature's dawn. A large section of the movement has a strong pulsating beat over which the violins play a soaring beautiful melody. This music enhanced my run providing a beat for my own movement; one that I attempted to synchronize with my body's motion.
I enjoy running at the dawn with music I love. It is one of life's better moments.