Showing posts with label James Salter. Show all posts
Showing posts with label James Salter. Show all posts

Friday, December 06, 2013

Moments of a Writer's Life

Burning the Days: RecollectionBurning the Days: Recollection 
by James Salter

“Sometimes you are aware when your great moments are happening, and sometimes they rise from the past. Perhaps it's the same with people.”   ― James Salter, Burning the Days: Recollection


James Salter calls his memoir a "recollection" as it is more a collection of scenes and episodes selected from throughout his life than it is a typical memoir. Published in 1997 when he was a youthful seventy-two it includes some fascinating vignettes of youth, middle age and beyond, all told with his signature narrative style that is both precise and beautiful.
Several of these episodes were particularly memorable in my reading. He grew up in New York City. But he tells of an unexpected sojourn at West point early in the recollections. As a young boy he had a poetic bent and he had been accepted at Stanford, looking forward to heading west. His father who had graduated from West Point had arranged a second alternate's appointment for him and, improbably, both appointees ahead of him were unable to attend so he received notification that he had been admitted. He comments, "Seventeen, vain, and spoiled by poems, I prepared to enter a remote West Point. I would succeed there, it was hoped, as he had." His four years at West Point were difficult and he is honest about his difficulties, but he gradually found his true self and upon graduation in 1945 he would enter the Army Air Corps which he would call home for a dozen years, becoming a fighter pilot. His experience as a pilot would provide material for his first novel, The Hunters.

Salter displays an earnestness and life in his telling is a serious undertaking, a gesture toward glory and immortality through love and a kind of private ethics revealed in the large and small choices that add up to tell a story. He excels as a writer with a devotional purpose, though not religious in a modern sense. Instead, there are ancient, perhaps unspoken, tests to pass. Salter was a cadet at West Point and an Air Force fighter pilot during the Korean War, and in his prose about flying, we see his guiding assumptions:
"It was among the knowledgeable others that one hoped to be talked about and admired. It was not impossible—the world of squadrons is small. The years would bow to you; you would be remembered, your name like a thoroughbred’s, a horse that ran and won."
Pilots were the elegant gladiators of the twentieth century, their battles were distilled examinations of mettle and will. Some of these pilots, friends of Salter, became astronauts later in their careers.  Two of these friends, Virgil Grissom and Edward White were killed on the launching pad at Cape Canaveral in 1967.

He jumps ahead to other moments in his life, writing having become his profession following the service career. Salter has written about fighter pilots and mountain climbers but also about poets and novelists, notably in two fine short-story collections, Dusk and Last Night.  He was officially credited with eight screenplays according to the Internet Movie Database, only one from his novels (The Hunters) and one other that stands out and is highlighted in his recollections, Downhill Racer, a film from 1969 based on Oakley Hall's novel and starring Robert Redford. Only a few pages are devoted to this episode but it is a fascinating one about a beautiful life, dining with the Redfords, and discussing his idea of writing a film that would be about something which he described simply as "the justice of sport."  And he includes a few moments about his most famous novel, A Sport and a Pastime, choosing to comment on the passage from the Qu'ran that provided the title for that book.

There are many such moments in this memoir including portraits of writers like John Cheever and Irwin Shaw, the latter a good friend to Salter; also film directors like Roman Polanski in addition to Redford. The culmination of these moments suggest a life that illuminates the meaning of becoming a humane person through a life of creativity.
I would compare this memoir to some of the best I have read, Vladimir Nabokov's Speak, Memory and Gregor von Rezzori's The Snows of Yesteryear come to mind. James Salter's achievements have been compared to those of Flannery O'Connor, Paul Bowles, Tennessee Williams and John Cheever by Michael Dirda, book critic for The Washington Post. This is an opinion that I share as I recommend his work to fellow readers.


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Saturday, November 16, 2013

Haunting Erotic Realism

A Sport and a PastimeA Sport and a Pastime 
by James Salter

"Green, bourgeoise France.  We are going at tremendous speed.  We cross bridges, the sound short and drumming.  The country is opening up.  We are on our way to towns where no one goes.  There are long, wheat-colored stretches and then green, level land, recumbent and rich.  The farms are built of stone.  The wisdom of generations knows that land is the only real wealth, a knowledge that need not question itself, need not change.  Open country flat as playing fields.  Stands of trees."( p 4)


This is a novel redolent of expressive moments. From the French countryside which one meets on the first page to the game of love played by the young duo - Philip Dean, the American, and Anne Marie, the French girl: 'la belle elle' - the reader is presented a world of existential transport. The unnamed narrator describes the passions of his friend Dean as they experience the culture of France and Dean experiences a breathless few months of carnal episodes.

It begins with a "luminous" September with still lengthy days and in a city filling with crowds after their August retreats suggesting that the unnamed narrator is making the right choice as he boards the train to depart the city. As he begins his train ride the sun hitting his face leads him to sleep. While he wakes as the train slows it is as if the scenes he shares are merely a continuation of his dreams. He admits: "None of this is true . . . I am only putting down details which entered me, fragments that were able to part my flesh. It's a story of things that never existed although even the faintest doubt of that, the smallest possibility, plunges everything into darkness."(p 11) 
Reminiscent of Ford's The Good Soldier, our narrator is unreliable and his tale may be taken as a story that may not have happened or at least not happened quite exactly as depicted by the narrator.

Swiftly we meet the narrator's friend Dean and are introduced to the ingenue Ann Marie and the memories of the small French towns, the Summer evenings, speeding down the highway in Dean's borrowed roadster carry you forward while the many brief liaisons of Dean and Anne Marie acquire a status that they would never have if they occurred on the lower east side of Manhattan. Even at Yale, for Dean is an Eli, they would seem tawdry at best, but the ability of the narrator to portray the indescribable beauty of France elevates the story to a better place. However all is not so clear upon reflection for while Dean is no innocent, Anne Marie may not be either. One cloud that is always haunting Dean is the need for money to fuel his journey with Anne Marie. He is a poor English tutor (is there any other kind?) who depends upon his wealthy Father for funds and when his Father is not forthcoming he begs for loans from his friends. The days and nights, various towns and country lanes blend together as the story speeds toward a denouement that must be left for the reader to discover on his own.

In 1959, only eight years before the publication of A Sport and a Pastime, the Grove Press brought out their American edition of Lady Chatterley's Lover. The erotic realism of Salter's novel owes at least part of its heritage to the liberation made possible by that earlier milestone. Salter's prose is as beautiful as any I have read and with that beauty he transports you to a French land of dreams both light and dark. "The orchestras of the world beat softly" in the night as the lovers at midnight share their being.
This is a magnificent short novel that begs to be reread if only to share its haunting beauty and experience again the charms of its magic.

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