Showing posts with label Colson Whitehead. Show all posts
Showing posts with label Colson Whitehead. Show all posts

Thursday, May 30, 2024

Legendary Neighborhood

Harlem Shuffle (Ray Carney, #1)
Harlem Shuffle 
by Colson Whitehead





". . . maybe don't play the same number all the time. Play something else, see what happens. Maybe you been playing the wrong thing this whole time."   - Colson Whitehead, Harlem Shuffle







I have eagerly anticipated and delighted in reading Colson Whitehead's novels ever since I first read  The Intuitionist.      In his recent novel, Harlem Shuffle, the tension increases with each act as Ray Carney, the main character, delves further and deeper into the world of crime. Social unrest, racism, and classicism are the backdrop against which it is set. As a black man, Carney faces ongoing obstacles in his pursuit of success. He encounters class and racial divides in addition to them.

While racism is pervasive in Harlem Shuffle, to the point where the characters find it difficult to imagine a society in which everyone is treated equally, it plays an equally large role in the evolution of the 1960s New York City and Harlem communities. Even though there are several civil rights demonstrations throughout the book and people are aware of social injustice, characters like Ray have a negative outlook on racism. In addition, a number of unsavory characters are highlighted, including Ray Carney, who the reader found endearing, as part of a skillful depiction of the apparent side of Harlem business.

The book ends with what I consider its best narrative section making it impossible not to recommend it to anyone who enjoys a great read.


Tuesday, April 18, 2017

Undaunted

The Underground Railroad 



The Underground Railroad




“Cora didn't know what optimistic meant. She asked the other girls that night if they were familiar with the word. None of them had heard it before. She decided that it meant trying.”   ― Colson Whitehead, The Underground Railroad









This was the second novel by Colson Whitehead that I have read and it impressed me even more than the first (The Intuitionist). It is a blend of historical fiction and fantasy that I had not previously experienced. Needless to say, the combination was successful especially with the addition of a suspenseful story and an appealing protagonist.

The protagonist, Cora , is a young slave girl who is considering fleeing slavery from the opening sentence on the first page. "The first time Caesar approached Cora about running north, she said no." That she changes her mind goes without saying, but as the narrative continues her trek through the South on and off the "underground railroad" maintains the reader's interest. Along the way there are colorful characters, like Caesar and her grandmother and her nemesis, Ridgeway.

The first of these characters that we meet is Ajarry, Cora's grandmother. We learn how Ajarry took ownership of, and maintained control over, a small plot of land in the slave area of the Randall plantation in the Southern state of Georgia where she lived most of her life. Both Cora’s mother Mabel and Cora herself inherited that land, and took pride in maintaining it. Ajarry insists that attempts to escape were hopeless and, even after Mabel made a successful escape anyway, Cora refused the invitation from fellow slave Caesar to make her own attempt.

It is only after a series of painful incidents on the plantation that Cora changes her mind.  She joins Caesar in an escape attempt that leads to unexpected developments; however, Cora and Caesar make it to the first stop on the underground railroad. In the first of several fantastic episodes the railroad is portrayed as a sub-surface train network that takes them into the first stop on their escape route: a town in South Carolina. There, Cora and Caesar are given new names and identities, and start new lives in which they become increasingly comfortable, refusing a series of opportunities to take the underground railroad even further towards the North, and freedom. However this life does not continue when it is shattered by the appearance of Ridgeway, leader of an angry group of patrollers and slave catchers. He tracks them down but Cora manages to escape, taking the underground railroad to North Carolina, where she is given refuge with Martin and Ethel Wells.

This episode finds Cora held as a prisoner in their home. Eventually, she is discovered and turned over to Ridgeway, while the Wells are left to face the anger and violence of the community’s racist citizens. Her next stop is Tennessee, as Ridgeway journeys to capture yet another slave before taking Cora back to the Randall plantation where it appears that an even worse fate awaits her. As the novel continues this reader was held in suspense wondering whether Cora would escape yet again and, if so, would she ultimately reach freedom, if not complete safety, in a Northern state.

I especially enjoyed the fantastic moments and the irony exemplified in the following: "Here was the true Great Spirit, the divine thread connecting all human endeavor--if you can keep it, it is yours. Your property, slave or continent. The American imperative."(p 80)
The slave owners followed this philosophy but they did not expect that Cora, the individual human being, would also follow the philosophy in her search for ownership of her person and her freedom.

The story highlights the indefatigable nature of Cora who always finds a way to survive. Throughout the narrative chapters are inserted as brief vignettes that explore the lives, backgrounds, and fates of several characters in the same way as the book’s first explored Ajarry’s life. The combination of historical detail, fantastic speculation, and suspense makes for an engaging read worthy of the awards it has received.

Sunday, April 02, 2017

The Perfect Elevator

The Intuitionist 


The Intuitionist


“What does the perfect elevator look like, the one that will deliver us from the cities we suffer now, these stunted shacks? We don't know because we can't see inside it, it's something we cannot imagine, like the shape of angels' teeth. It's a black box.”   ― Colson Whitehead, The Intuitionist




This was my introduction to Colson Whitehead and he made a favorable first impression. The story is set in the middle of the twentieth century in a large metropolis, reminiscent of New York City, full of skyscrapers and other buildings requiring vertical transportation in the form of elevators. The time, while never identified explicitly, is one when black people are called "colored" and integration is a current topic. The protagonist is an African American elevator inspector named Lila Mae Watson. Watson is already marginalized by her race and sex, and her adherence to the Intuitionist method of elevator inspecting causes her to be further ostracized by her fellow inspectors, who are Empiricists. Intuitionists like Lila Mae assess an elevator’s “health” by listening to it and feeling its vibrations. Once in contact with the elevator, an Intuitionist just knows whether or not it is “healthy.” The competing school, the "Empiricists," insists upon traditional instrument-based verification of the condition of the elevator by getting into their shafts and checking the mechanisms to see if they meet specifications. Watson is the second black inspector and the first black female inspector in the city.

Lila Mae is very dedicated to her work and has an outstanding inspection record that earns her the prestigious assignment of inspecting the elevators in the Fanny Briggs Memorial Building. Then, disaster strikes. Elevator number eleven of the Fanny Briggs Memorial Building crashes in a free fall shortly after her inspection. It is an election year in the Elevator Guild, and the Intuitionists and the Empiricists have both put forth candidates for the position of guild chair. Consequently, Lila Mae is convinced that the Empiricist candidate, Frank Chancre, who has known connections with powerful underworld figure Johnny Shush, has had the elevator sabotaged. Discrediting her, an Intuitionist, will cause the Intuitionist candidate, Orville Lever, to lose favor.

The failure of the elevator inspected by Lila Mae also leads to a search for the roots of intuitionism. The result is a metaphysical meditation on the possibility of a perfect elevator. For those, like this reader, who are interested in history, science, and ideas this is a great read and was an auspicious start for the author.