Showing posts with label Journal. Show all posts
Showing posts with label Journal. Show all posts

Saturday, June 30, 2012

Thoughts in Privacy

The Journal, 1837-1861
The Journal, 1837-1861 


Friends and companions, get you gone!
'T is my desire to be alone;
Ne'er well, but when my thoughts and I
Do domineer in privacy.
 ------   Robert Burton, Anatomy of Melancholy    

This is a book to read and reread, relishing the thoughts of Henry David Thoreau on life, nature and humanity. He was a complex but simple man, well-read but for all his reading his imagination was on fire with thoughts that were his own and seeds for the ages. He was a journalist in the original sense of the word as one who creates a journal, and his was based on the facts of his life as he lived mainly in Concord and briefly at Walden Pond.
"How simple is the natural connection of events.  We complain greatly of the want of flow and sequence in books, but if the journalist only move himself from Boston to New York, and speak as before, there is link enough.  Is not my life riveted together?  Has it not sequence?  Do not my breathings follow each other naturally?"(Journal, March 20, 1842)
Just as time was "but the stream I go a-fishing in", and his head "is an organ for burrowing," his bean-field produced beans that "have results which are not harvested by me.". We are still reaping these results and, while there are few huts set out beside ponds, there are many people who think about the meaning of a life that is lived with the benefits of Thoreau's seeds of simplicity and thoughtfulness.

"This rain which is now watering my beans and keeping me in the house waters me too. I needed it as much. And what if most are not hoed! Those who send the rain, whom I chiefly respect, will pardon me." (Journal, July 6, 1845)

The Journal, 1837-1861 by Henry David Thoreau, ed. by Damion Searls. New York Review Books, 2009.

Wednesday, June 27, 2012

From the Journal of Thoreau


To the Libraries


February 3, 1852



I have been to the libraries (yesterday) at Cambridge and Boston . It would seem as if all things compelled us to originality . How happens it that I find not in the country, in the fields and woods, the works even of likeminded naturalists and poets. Those who have expressed the purest and deepest love of nature have not recorded it on the bark of the trees with the lichens ; they have left no memento of it there ; but if I would read their books I must go to the city, - so strange and repulsive both to them and to me, - and deal with men and institutions with whom I have no sympathy. When I Have just been there on this errand, it seems too great a price" to pay for access even to the works of Homer, or Cliaucer, or tamixus. Greece and Asia Minor should henceforth bear Iliads and Odysseys as their trees lichens .
But no! if the works of nature are to any extent collected in the forest, the works of man are to a still greater extent collected in the city . I have sometimes imagined a library, i . e . a collection of the works of true poets, philosophers, naturalists, etc., deposited not in a brick or marble edifice in a crowded and dusty city, guarded by cold-blooded and methodical officials and preyed on by bookworms, in which you own no share, and are not likely to, but rather far away in the depths of a primitive forest, like the ruins of Central America, where you can trace a series of crumbling alcoves, the older books protecting the most modern from the elements, partially buried by the luxuriance of nature, which the heroic student could reach only after adventures in the wilderness amid wild beasts and wild men. That, to my imagination, seems a fitter place for these interesting relics, which owe no small part of their interest to their antiquity, and whose occasion is nature, than the well-preserved edifice, with its well-preserved officials on the side of a city's square. More terrible than lions and tigers these Cerberuses. Access to nature for original observation is secures:
by one ticket, by one kind of expense, but access to the works of your predecessors by a very different kind of expense. All things tend to cherish the originality of the original. Nature, at least, takes no pains to introduce him to the works of his predecessors, but only presents him with her own Opera Omnia.
Is it the lover of nature who has access to all that has been written on the subject of his favorite studies ?

Source: Walden.org