Showing posts with label Transcendentalism. Show all posts
Showing posts with label Transcendentalism. Show all posts

Friday, January 10, 2014

American Poet

Rock and Hawk: A Selection of Shorter Poems by Robinson JeffersRock and Hawk: 
A Selection of Shorter Poems 
by Robinson Jeffers

“I've changed my ways a little, I cannot now
Run with you in the evenings along the shore,
Except in a kind of dream, and you, if you dream a moment,
You see me there.”  ― Robinson Jeffers


Robinson Jeffers was born on January 10, 1887. One of his most famous poems and one of my favorites is "Rock and Hawk" and it was used as the title for a selection of his shorter poems edited by the poet Robert Haas in 1987. The collection spans Jeffers' output of poems from the twenties through the sixties. The themes that spurred his seeking mind include nature as in these lines from "Natural Music":
"The old voice of the ocean, the bird-chatter of little rivers,
(Winter has given them gold for silver
To stain their water and bladed green for brown to line their
banks)
But he also was influenced by his reading of Nietzsche as evidenced by these thoughts in "Roan Stallion":
"Humanity is the start of
the race: I say
Humanity is the mold to break away from, the crust to break
through, the coal to break into fire,
The atom to be split."
The Jeffers that I like the most has a transcendental quality that reminds one of Thoreau or Emerson, but imbues nature with a modern patina that make its spiritual quality seem new. Many of the poems also suggest the beauty, the solitude, and the grandeur of the home Jeffers made in Carmel. While his musings can sometimes be dark and brooding; “One existence, one music, one organism, one life, one God: star-fire and rock-strength, the sea's cold flow, And man's dark soul.”   His poems taken as a whole reflect the mind of a truly great American poet.  


 Rock and Hawk

Here is a symbol in which
Many high tragic thoughts
Watch their own eyes.
This gray rock, standing tall
On the headland, where the seawind
Lets no tree grow,
Earthquake-proved, and signatured
By ages of storms: on its peak
A falcon has perched.
I think here is your emblem
To hang in the future sky;
Not the cross, not the hive,
But this; bright power, dark peace;
Fierce consciousness joined with final
Disinterestedness;
Life with calm death; the falcon's
Realist eyes and act
Married to the massive
Mysticism of stone,
Which failure cannot cast down
Nor success make proud.






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Wednesday, July 04, 2012

House-Warming & Friendship

Notes on Walden, III
"Indivisibility"


"The perfect friendship I speak of is indivisible; each one gives himself so entirely to his friend, that he has nothing left to distribute to others: on the contrary, is sorry that he is not double, treble, or quadruple, and that he has not many souls and many wills, to confer them all upon this one object.  Common friendships will admit of division; one may love the beauty of this person, the good-humour of that, the liberality of a third, the paternal affection of a fourth, the fraternal love of a fifth, and so of the rest:  but this friendship that possesses the whole soul, and there rules and sways with an absolute sovereignty, cannot possibly admit of a rival.  If two at the same time should call to you for succour, to which of them would you run?  Should they require of you contrary offices, how could you serve them both?  Should one commit a thing to your silence that it were of importance to the other to know, how would you disengage yourself?  A unique and particular friendship dissolves all other obligations whatsoever: the secret I have sworn not to reveal to any other, I may without perjury communicate to him who is not another, but myself.  'Tis miracle enough certainly, for a man to double himself, and those that talk of tripling, talk they know not of what.  Nothing is extreme, that has its like; and he who shall suppose, that of two, I love one as much as the other, that they mutually love one another too, and love me as much as I love them, multiplies into a confraternity the most single of units, and whereof, moreover, one alone is the hardest thing in the world to find. " (Montaigne, "Of Friendship" I, 27) 

I have a gas fireplace in the living-room of my apartment and it provides warmth on cold winter mornings and other times as well.  However the warmth that it exudes does not come close to that of the wood-fired fireplace of my friend and scholar, Stephen.  Whether it is the knowledge that the fire is fed by wood that was prepared by his hands, the camaraderie we have experienced, or the warmth of our friendship, the mornings I have spent with him and his partner Walter in front of their fireplace, are of a more ethereal level of of warmth.  The difference I have experienced between these two fires seems much like that described by Thoreau when he switched to the use of a small cooking-stove for reasons of economy in the second winter of his stay at Walden Pond:
"The next winter I used a small cooking-stove for economy, since I did not own the forest; but it did not keep fire so well as the open fireplace. Cooking was then, for the most part, no longer a poetic, but merely a chemic process. It will soon be forgotten, in these days of stoves, that we used to roast potatoes in the ashes, after the Indian fashion. The stove not only took up room and scented the house, but it concealed the fire, and I felt as if I had lost a companion. You can always see a face in the fire. The laborer, looking into it at evening, purifies his thoughts of the dross and earthiness which they have accumulated during the day. But I could no longer sit and look into the fire, and the pertinent words of a poet recurred to me with new force." -- (pp 254-55)
"Never, bright flame, may be denied to me
Thy dear, life imaging, close sympathy.
What but my hopes shot upward e'er so bright?
What but my fortunes sunk so low in night?
Why art thou banished from our hearth and hall,
Thou who art welcomed and beloved by all?
Was thy existence then too fanciful
For our life's common light, who are so dull?
Did thy bright gleam mysterious converse hold
With our congenial souls? secrets too bold?

Well, we are safe and strong, for now we sit
Beside a hearth where no dim shadows flit,
Where nothing cheers nor saddens, but a fire
Warms feet and hands -- nor does to more aspire;
By whose compact utilitarian heap
The present may sit down and go to sleep,
Nor fear the ghosts who from the dim past walked,
And with us by the unequal light of the old wood fire talked."
- Poem by Ellen Sturgis Hooper

But what of friendship?  Is it based on the indivisibility between two people as Montaigne maintains in his essay quoted above?  If it is, Thoreau's relationship with the poet, William Ellery Channing, was an example that would support Montaigne's opinion.  His was much like the nature of friendship described by Aristotle in Book VIII of his Ethics, saying it was made of both "equality" and "virtue" (Nicomachean Ethics, 1158b12, 1170b14).  Thoreau welcomed his best friend, Ellery Channing, to his cabin as the weather was cooling.  He was the nephew of Dr. William Ellery Channing and he also appears as the poet at the beginning of the chapter "Brute Neighbors." They loved to laugh and make jokes, and the description in "Brute Neighbors" is intentionally deceiving. Channing's best claim to fame was his biography of Thoreau.
" I took a poet to board for a fortnight about those times, which caused me to be put to it for room. He brought his own knife, though I had two, and we used to scour them by thrusting them into the earth. He shared with me the labors of cooking. I was pleased to see my work rising so square and solid by degrees, and reflected, that, if it proceeded slowly, it was calculated to endure a long time. "(p 241)
And again as Winter descended on the woods and pond he received visitors, most prominently Channing who returned to continue his friendship.  The combination of "boisterous mirth" with "sober talk" suggests the sort of relationship that can only be explained by the closeness of two equals.
"The one who came from farthest to my lodge, through deepest snows and most dismal tempests, was a poet. A farmer, a hunter, a soldier, a reporter, even a philosopher, may be daunted; but nothing can deter a poet, for he is actuated by pure love. Who can predict his comings and goings? His business calls him out at all hours, even when doctors sleep. We made that small house ring with boisterous mirth and resound with the murmur of much sober talk, making amends then to Walden vale for the long silences. Broadway was still and deserted in comparison. At suitable intervals there were regular salutes of laughter, which might have been referred indifferently to the last-uttered or the forth-coming jest. We made many a "bran new" theory of life over a thin dish of gruel, which combined the advantages of conviviality with the clear-headedness which philosophy requires."(pp 267-68)
But Thoreau did not only share his hearth with Channing for Bronson Alcott also joined him in winter reveries.  Alcott, who was born poor and self-educated had worked as a peddler in Virginia.  Most know him only as the father of Louisa May Alcott, who wrote Little Women, partially based on her childhood. Among the Transcendentalists he tended to be the most radical in his views and the least able to accomplish anything. Perry Miller, in The American Transcendentalists, says "... no figure more invited ridicule than the gentle, dreamy, abstracted, utterly unworldly Bronson Alcott." "And yet, though he took no thought for the morrow, blithely let himself be supported by the labor of his wife, and in his last years basked contentedly in the prosperity brought by his daughter's books, he all the time showed himself a shrewd judge of men, a keen analyst of politics, [and] a competent carpenter (when he chose to be)..."( The American Transcendentalists, pp 85-86)
"I should not forget that during my last winter at the pond there was another welcome visitor, who at one time came through the village, through snow and rain and darkness, till he saw my lamp through the trees, and shared with me some long winter evenings. One of the last of the philosophers, -- Connecticut gave him to the world, -- he peddled first her wares, afterwards, as he declares, his brains. These he peddles still, prompting God and disgracing man, bearing for fruit his brain only, like the nut its kernel. I think that he must be the man of the most faith of any alive. His words and attitude always suppose a better state of things than other men are acquainted with, and he will be the last man to be disappointed as the ages revolve. He has no venture in the present. But though comparatively disregarded now, when his day comes, laws unsuspected by most will take effect, and masters of families and rulers will come to him for advice. --       "How blind that cannot see serenity!"(p 268)

Never the solitary hermit that some have subsequently imagined him to be, Thoreau would not hestitate to visit the town if there were no visitors forthcoming.
"There too, as everywhere, I sometimes expected the Visitor who never comes. The Vishnu Purana says, "The house-holder is to remain at eventide in his courtyard as long as it takes to milk a cow, or longer if he pleases, to await the arrival of a guest." I often performed this duty of hospitality, waited long enough to milk a whole herd of cows, but did not see the man approaching from the town."(p 270)

Walden by Henry David Thoreau. Princeton University Press, 2004 (1971, 1854)
The American Transcendentalists: Their Prose and Poetry ed. by Perry Miller. Doubleday Anchor Books, 1957
The Complete Essays by Michel de Montaigne, M.A. Screech (Translator). Penguin Classics, 1993 (1580)
Nicomachean Ethics by Aristotle, Martin Ostwald (Translator).  Prentice Hall/Simon & Schuster, 1962 (350 BC) 




Sunday, June 24, 2012

Transcendental Poetry





William Ellery Channing was one of the best friends of both Henry David Thoreau and Ralph Waldo Emerson.  Here is a poem that praises the  "music that the fullest breeze can play In its melodious whisperings in the wood," and expresses the mind of the poet.




A Poet's Hope

Flying--flying beyond all lower regions,
Beyond the light called day, and night's repose,
Where the untrammelled soul, on her wind-pinions
Fearlessly sweeping, defies my earthly woes--
There--there, upon that infinitest sea,
Lady, thy hope--so fair a hope, summons me.

Fall off, ye garments of my misty weather,
Drop from my eyes, ye scales of time's applying;
Am I not godlike? meet not here together
A past and future infinite, defying,
The cold, still, callous moment of to-day?
Am I not master of the calm alway?

Would I could summon from the deep, deep mine,
Glutted with shapely jewels, glittering bright,
One echo of that splendor, call it thine,
And weave it in the strands of living light;
For it is in me, and the sea smiles fair,
And thitherward I rage, on whirling air.

Unloose me, demons of dull care and wants,
I will not stand your slave, I am your king;
Think not within your meshes vile I pant
For the wild liberty of an unclipt wing;
My empire is myself, and I defy
The external; yes! I rule the whole, or die.

All music that the fullest breeze can play
In its melodious whisperings in the wood,
All modulations which entrance the day
And deify a sunlight solitude;
All anthems that the waves sing to the ocean
Are mind for song, and yield to my devotion.

And mind the soft glaze of a loving eye,
And mine the pure shapes of the human form,
And mine the bitterest sorrow's witchery,
And spells enough to make a snow-king warm;
For an undying hope thou breathest me--
Hope which can ride the tossing, foaming sea.

Lady, there is a hope that all men have,
Some mercy for their faults, a grassy place
To rest in, and a flower-strown, gentle grave;
Another hope with purifies our race,
That when that fearful bourne forever past,
They may find rest--and rest so long to last.

I seek it not, I ask not rest for ever,
My path is onward to the farthest shores--
Upbear me in your arms, unceasing river,
That from the soul's clear fountain swiftly pours,
Motionless not, until the end is won,
Which now I feel hath scarcely felt the sun.

To feel, to know, to soar unlimited,
Mid throngs of light-winged angels sweeping far,
And pore upon the realms unvisited,
That tesselate the unseen unthought star,
To be the thing that now I feebly dream
Flashing within my faintest, deepest gleam.

Ah! caverns of my soul! how think your shade,
Where flows that life by which I faintly see--
Wave your bright torches, for I need your aid,
Golden-eyed demons of my ancestry!
Your son though blinded hath a light within,
A heavenly fire which ye from suns did win.

And, lady, in thy hope my life will rise
Like the air-voyager, till I upbear
These heavy curtains of my film eyes,
Into a lighter, more celestial air;
A mortal's hope shall bear me safely on,
Till I the higher region shall have won.

O Time! O death! I clasp you in my arms,
For I can soothe an infinite cold sorrow,
And gaze contented on your icy charms,
And that wild snow-pile, which we call to-morrow;
Sweep on, O soft, and azure-lidded sky,
Earth's waters to your gentle gaze reply.

I am not earth-born, though I here delay;
Hope's child, I summon infiniter powers,
And laugh to see the mild and sunny day
Smile on the shrunk and thin autumnal hours;
I laugh, for hope hath happy place to me,
If my bark sinks, 'tis to another sea.

- William Ellery Channing


Source: Selected Poems of William Ellery Channing. American Transcendentalism Web.