Friday, November 14, 2025

Charisma and More

Creation Lake
Creation Lake 






“Charisma does not originate inside the person called “charismatic.” It comes from the need of others to believe that special people exist.”
― Rachel Kushner, Creation Lake








Rachel Kushner's fourth book, Creation Lake, is a blend of dark satire, philosophical analysis, and espionage thriller that was shortlisted for the Booker Prize and longlisted for the National Book Award. It centers on Sadie Smith, a 34-year-old American freelance spy with a "clean beauty" and a brutal edge who is assigned to infiltrate an anarchist collective plotting against industrial agriculture. The story takes place in the rural southwest of France amid eco-activism and prehistoric echoes. Sadie's witty, sardonic first-person narrative is intercut with emails from Bruno Lacombe, a reclusive philosopher who is fascinated by Neanderthals, caves, and human origins. In her most plot-driven work to date, Kushner—a two-time Booker and National Book Award finalist best known for The Flamethrowers and The Mars Room—weaves noir tension with reflections on identity, ideology, and extinction.
Kushner has a taut, erudite, and wryly humorous prose that transcends the conventions of the genre. Sadie's sardonic, disdainful, and increasingly reflective voice propels the book's fast-paced reimagining of the spy thriller. Its intellectual bravery is praised by critics, who point out that it asks important questions like "What is a human being?" Sadie's cynicism contrasts with the activists' idealism through Bruno's tangential dispatches on Neanderthal depression and cave art.

The scene is a grim "proletarian 'real Europe'" of nuclear power plants, reservoirs, and peasant uprisings; it feels urgent, mocking characters such as Michel Houellebecq (posing as "Michel Thomas") while paying homage to actual ZAD (zones to defend) movements.

I was impressed with Sadie, the main character, who was intelligent and perceptive, if occasionally chilly, even though it occasionally seemed to be a jumble of fact and whimsical imagination, fragmented, with vignettes that don't always cohere. It's a fun, approachable book with a fantastic plot that balances prehistory, agriculture, and chaos. Fans of Le Carré will love it.


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