Yesterday evening was the final discussion of Little Dorrit at our Dickens class at The Newberry Library. In this class we are surveying the complete novels of Charles Dickens. This novel exhibits some of the characteristic traits for which Dickens is famous, including a plethora of characters, atmospheric descriptions and a somewhat convoluted plot line. While exhibiting these traits it also has two of the most decent and truly good protagonists (if not hero and heroine) in all of the Dickens which I have read. That Arthur Clennam and Little Dorrit (Amy) finally join together in wedded bliss is a consummation not unexpected and certainly deserved. Arthur has survived his 'quest' for identity and understanding and while not entirely successful he has reached a point from which he can satisfactorily go forward with his life and with his Amy.
For this reader the novel was both satisfying and perturbing. The continual railing against the Circumlocution Office and skewering of debtors' prisons with the 'Marshalsea' was not convincing and the weakness of the plot undermined the quality of the novel. However, the fecundity of curious and wonderful characters who consistently charmed and challenged the reader with their psychological complexity helped to overcome all other weaknesses. And this is the great strength of Dickens as a novelist which he demonstrates again and again as he continues to increase his mastery of this literary form.
Little Dorrit by Charles Dickens. Penguin Classics, New York. 2003 (rev. ed.).