Epic Voyage

Tau Zero 

by Poul Anderson

The epic voyage of the spacecraft Leonora Christine will take her and her fifty-strong crew to a planet some thirty light-years distant. But, because the ship will accelerate to close to the speed of light, for those on board subjective time will slow and the journey will be of only a few years' duration. Then a buffeting by an interstellar dustcloud changes everything. The ship's deceleration system is damaged irreparably and soon she is gaining velocity. When she attains light-speed, tau zero itself, the disparity between ship-time and external time becomes almost impossibly great. Eons and galaxies hurtle by, and the crew of the Leonora Christine speeds into the unknown. Classic sci-fi from this great author.

Passions of Young Love

The Sorrows of Young Werther 

by Johann Wolfgang von Goethe

“I have so much in me, and the feeling for her absorbs it all; I have so much, and without her it all comes to nothing.”   ― Johann Wolfgang von Goethe, The Sorrows of Young Werther

Johann Wolfgang von Goethe wrote this epistolary novel in the space of a few weeks in 1774. His burst of creative energy imbued the whole work with a rare intensity. He drew upon his own experiences, and perhaps because of this, it captured a mood of the times and was greeted with enthusiasm by the public. It was the one work that can be said to have made Goethe’s reputation; to the end of his life, he was for many readers primarily “the author of Werther.” At the same time, it was a turning point in his career, for it marked the end of his “storm and stress” period. The outburst of all-consuming emotion was followed by a quieter period, which led to his classical style of the 1780’s. Goethe himself later regarded The Sorrows of Young Werther as a kind of therapeutic expression of a dangerous side of his own personality, one that he overcame and controlled. He was appalled to find that Werther became regarded as a model of behavior, influencing men’s fashion and inspiring a rash of suicides all over Europe.

The immediacy of the work is, in large part, the result of its epistolary form. After a brief foreword by the fictional editor, the reader plunges straight into the world of Werther’s mind, and the style of his letters, full of exclamations, broken sentences, and impassioned flights of imagination, expresses his personality better than could any description. The novel thus captures the peak of his emotion, and the letters pesent the high points of his life. When he finally becomes too incoherent to write, the editor enters, which creates a chilling effect. The editor observes events from a distance, and his observing Werther with a sympathetic but dispassionate eye retards the headlong rush of the story.

The novel possessed a further immediacy for its first readers in that it was set in their own contemporary world. The first letter is dated May 4, 1771, and from there Goethe leads the reader through that year’s summer, fall, and winter into the next year with its new hope in the spring and the final tragedy at the end of the year in midwinter. Werther both shares and demonstrates the interests of his generation: He reads Homer, loves nature and the simple folk in the fashion of Jean-Jacques Rousseau; and chafes against the conventions of aristocratic eighteenth century society.

The short novel is well-written with some beautiful passages of prose, but it is basically the story of one character, Werther, who writes letters to his friend William, but they seem to be aimed at the reader of the novel. His passion for Lotte is sometimes difficult to appreciate, however since he is overcome by his passion, he is doomed as she already has a lover and is married to him fairly soon into the story (it only covers about a year and a half of Werther's life). Goethe would go on to write some of the greatest poetry, drama (Faust), and travel literature ever written in German. His complete oeuvre is impressive. And for a twenty-four year old writer, this novel is impressive also.