Saturday, December 30, 2006

End of Year

And since to look at things in bloom
Fifty springs are little room,

About the woodlands I will go

To see the cherry hung with snow



At the end of the year, this year in particular, these lines of A. E. Housman's poem come to mind. They seem appropos due to both the delight that a little snow (for decorative purposes only) would bring, and the melancholy tinge to the thought another year passing.

Friday, December 29, 2006

Colas Breugnon

I have an affinity for the music of Russian composers. One of my favorite compositions, and less familiar than many, is the delightful overture by Dmitri Borisovich Kabalevsky, Colas Breugnon, Op. 24. This is the overture for his opera based on the original story by Romain Rolland (1919), of Jean-Christophe and Nobel Prize fame. The overture has interesting, even tantalizing harmonies and an orchestration that suggests that Kabalevsky studied the Rimsky-Korsakoff Principles of Orchestration well. My favorite recording remains that of the Chicago Symphony Orchestra led by Fritz Reiner.

Sunday, December 24, 2006

Cinema Comments





The History Boys
(Film based on the Play)

This film is directed by Nicholas Hytner and written by Alan Bennett based on his award-winning play. It is a mesmerizing meditation on the meaning of education, history and life. Set in a boys' school in northern England in the early 1980's Bennett creates characters that share wonderfully witty dialogue as they attempt to learn about life, love and themselves; all whilst studiously preparing for the entrance exams and interviews for admittance to Oxford & Cambridge. The boys effortlessly quote Auden, Larkin and Hardy while melding popular culture, enthusiastically acting out cinema endings and singing songs, with their more serious studies; all under the tutelage of their professorial mentor played with grace and tremendous humanity by Richard Griffiths. Bennett's dialogue positively sparkles and borders on the Shakespearian, that is when it is not directly quoting the Bard. The acting by the boys is quite natural; the lead boys, Dakin, Posner and Scripps are especially convincing. I enjoyed reading the screenplay which stands on its own and is a wonderful complement to the film (which bears repeated viewings). It is fascinating the way the screenplay was edited for the final film production. This is definitely my favorite film of 2006. It contains four of my favorite things in life: music, poetry, history and boys.