Showing posts with label Nostalgia. Show all posts
Showing posts with label Nostalgia. Show all posts

Thursday, February 05, 2015

Snow in the City


Of Snowflakes and Perfect Lawns

“Snowflakes are one of nature's most fragile things, but just look at what they can do when they stick together." (author unknown)


The sun was just rising as I finished putting the final touches on my attempt to clean our front sidewalk of snow one morning earlier this week.  It was rather whitish stuff that had turned into a mushy muddled mess under the incessant trampling of many footsteps into a greyish cover over the concrete that is our front sidewalk.

As I laid down a layer of salt I thought back to my youth in southern Wisconsin.  My thoughts were not of the wintry whiteness  that we enjoyed but of summertime and the feelings of futility and, perhaps, a bit of resentment over the perfect lawn of our neighbors across the street.  They had a well-maintained bungalow and a small front lawn that was always kept in pristine, if not perfect, order.  While I struggled with our much larger lawn that stretched over the equivalent of at  least three city lots my neighbor's yard was always laying there, in its crisp, pristine, weed-free form, mocking all my feeble attempts to keep our lawn under control.  Forget about eliminating weeds -- as long as the ground was covered with green it did not matter what the source of that greenery was.  Did I mention that my neighbor was retired?  Thus he had most every day available to touch-up his lawn and make sure it was just right.  So, the battle was lost before it had begun and the perfect image of that lawn has grown in my mind into a memory that augments the lingering disgust I have for even the idea of mowing and trimming a lawn. 

Call me a Jeremiah for my memory of that time is surely Pirandellian and the feelings of futility were merely chimerical.  But, here I am in the seventh decade of my life making sure that the sidewalk in front of the six-flat in which I live is perfectly clear of snow (at least when the snowfall is somewhat less than the almost two feet we had yesterday).  What will the neighbors think?

Thursday, February 10, 2011

A Son of the Middle Border (Twentiety-Century Classics)
A Son of the Middle Border 



"The realist or veritist is really an optimist, a dreamer. He sees life in terms of what it might be, as well as in terms of what is; but he writes of what is, and, at his best, suggests what is to be, by contrast. He aims to be perfectly truthful of his relation to life, but there is a tone, a color, which comes unconsciously into his utterance, like the sobbing stir of the muted violins beneath the frank, clear song of the clarinet. . . . "  - Hamlin Garland, Crumbling Idols


My fond memories of growing up in Wisconsin create a warm place in my heart for A Son of the Middle Border, a memoir about growing up on the mid-western frontier by Hamlin Garland.   In it he captures the essence of the place and time that was already a memory during my boyhood. He does this through advocacy of a form of realism that blended the realist's insistence upon verisimilitude of detail with the impressionist's tendency to paint objects as they appear to his individual eye. He uses local color in his work giving it a quality of texture and background that it could not have been written in any other place or by any one less than a native. Garland distinguishes between local color that is added on from that which comes from the writer's experience: "local color must not be put in for the sake of local color. It must go in, it will go in, because the writer naturally carries it with him half unconsciously, or conscious only of its significance, its interest to him" (CI 54). So Garland's perspective is, like that of many realists, that one writes of what one knows. The veritist differed from the realist, Garland claimed, in his insistence upon the centrality of the artist's individual vision: the artist should paint life as he sees it. In doing this he brings his world alive for the reader. I think this depiction of a region's characters, customs, and textures of life creates an interesting read even for those who do not share a personal connection with the beauty of Midwestern life.


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Sunday, February 06, 2011

A Christmas Memory (Modern Library)
A Christmas Memory 







Nostalgia and sentimentality are woven together beautifully in this brief memoir by Truman Capote. Written in the mid-fifties before the peak of his acclaim and subsequent dissolution, this is a touching story of friendship and the memories of youth. In a simpler time and place the young Capote shares the essence of Christmas with his elder cousin. The story is a prime example of what William L. Nance in The Worlds of Truman Capote calls Capote's ''fiction of nostalgia," in which the author looks back fondly upon his Southern childhood. These stories  border on bathos yet in doing so evoke a gentle and distant childhood uncorrupted by the complications of adulthood.  The narrator of the story tells the reader to ''imagine a morning in late November" more than twenty years ago.  With this beginning we are once again taken to that place where Capote in his typical habile style demonstrates his ability to create a world that is at once uniquely his own yet can speak to readers from far different climes and times. This is a moving memoir for those willing to believe.


A Christmas Memory by Truman Capote. Modern Library, New York. 1996 (1956).


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Sunday, September 26, 2010

RecapitulationRecapitulation

by Wallace Stegner

When the cottonwoods have been rattling at you all through your childhood, they mean home . . . one puff of wind through those trees in the gully is enough to tell me, not that I have come home, but that I never left it." (p 116)



Nostalgia is a longing for once familiar circumstances or surroundings that are now remote or irrecoverable. It is this nostalgia that is the hallmark of Recapitulation, a novel by Wallace Stegner, that surrounds you while depicting events and details unfamiliar and raises the feeling of nostalgia for those once familiar circumstances of your own that are as remote as that small town in which you were raised and that you left long ago seldom to return. It is the return of Bruce Mason to his home town of Salt Lake City and the memories that the visit triggers that inhabit the pages of Stegner's fine novel with an aura of nostalgia that makes the reader feel that he is part of Mason's life as he grows and learns and experiences some of the common rites of every young man's journey through life. Except he is no longer a young man and his view is from a distant adulthood that gives the memories a melancholic tinge and, perhaps, a certain emphasis that shades the memories with the patina of time.

Stegner creates real believable characters in Mason's family, among which include a distant and imperious father and loving mother who is nearer in spirit to her studious son. Bruce is able to escape a life that is supported by a father whose profession is selling contraband (during prohibition) through hard work both in several jobs that provide financial independence and his studies that emancipate his mind. His trip to Salt Lake City, seemingly to perform the necessary rites surrounding his Aunt's funeral, becomes a traversal of a previous life. One filled with ghosts and none closer to his adult self, yet further in a sense, than himself as he ponders near the end of the book:


"He felt like the last remaining spectator at the last act of a play he had not understood." (p 274)

Through his beautiful prose and his ability to capture the essence of nostalgia and the characters that inhabited the play that was the life of Bruce Mason, Wallace Stegner creates a wonderful story and a great book.


Recapitulation by Wallace Stegner. Penguin Books, New York. 1997 (1979)





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Thursday, August 05, 2010




I miss the Flag

to Stephen and Walter





On a summer morning I notice the empty balcony
above. I wonder at the forlorn bushes
Standing green against the grain of the sunny
day.

Over in the window a wilted flower stands
bereft in its brownish deadness,
Reminder of the care once given by hands
that filled the room with life,
and flowers, but now are
gone away.

But most of all I miss the flag
That flew unfurled most every day,
A reminder of the loving couple inside
and their interesting care for each other
and the world.


from 'Portraits' by James Henderson, 2010

Monday, December 21, 2009



The Iliad and Latin Class




Assiduus usus uni rei deditus et ingenium et artem saepe vincit
- Cicero



I am currently rereading the Iliad for discussion with our Lincoln Park Sunday morning discussion group. The reading has reminded me of the my first encounter with the Iliad when I was in high school studying Latin.
I had two years of Latin study which has served me well over the years as a foundation for my English skills, such as they are, but this Latin class was not just studying a dry dead language but rather it was discovering a living culture that extended from the early age of Mycenae to the fall of Rome. The source of this was our Latin teacher, Mrs. Helen Daggett, who was perpetually invigorating with regard to all things Latin and classical. The result was an exciting class that found that Rome and Greece were interesting and sometimes exciting places about which to learn. The Latin Club was one of the largest in the high school and the annual "slave" sale was one of the high points of the school year.
But, you may ask, what does this have to do with Homer's Iliad? After all, didn't Homer write in Greek, and ancient not classic Greek? Yes but this Latin class, as I mentioned, was about more than just Latin, but also the culture of Rome and Greece before it. So it was there that I encountered the Iliad, but not directly from Homer. I learned about Heinrich Schliemann from reading Robert Payne's The Gold of Troy. It was Schliemann's adventurous and romantic life (more recently chronicled in an excellent biography of him by David Traill, Schliemann of Troy) that first introduced me to Troy and Mycenae and the story behind the story of The Iliad. It was due to his persistent belief that the city of Troy in the Iliad really existed and that it could be found that led me to the story of The Iliad. I still remember admiring the mask of Agamemnon from my days in Latin class. However, in reading and rereading The Iliad that mask pales in comparison to the "Shield of Achilles" described in Book XVIII. I have read many of the classical Greek and Latin authors since those days I spent in Latin class discovering Latin and Greek culture. And my love for the classics I owe in no little part to that class.


The Gold of Troy by Robert Payne. Funk & Wagnalls Co., New York. 1959
Schliemann of Troy: Treasure and Deceit by David A. Traill. St. Martin's Press, New York. 1995

Saturday, February 14, 2009

Nostalgia and Fantasy


Dandelion Wine
by Ray Bradbury



“Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them.”  ― Ray Bradbury, Dandelion Wine



In effect this book is a perfect blend of nostalgia and fantasy in which Bradbury creates a dream world. My personal preference is for his later science fiction like The Martian Chronicles and Fahrenheit 451; however, Dandelion Wine, along with many of his fine short stories collected in The Stories of Ray Bradbury, is almost as enjoyable a read. This novel is semi-autobiographical, taking place in the summer of 1928 in the fictional town of Green Town, Illinois, presumably a pseudonym for Bradbury's childhood home of Waukegan, Illinois.
The title refers to a wine made with dandelion petals and other ingredients, commonly citrus fruit. In the story, dandelion wine, as made by the protagonist's grandfather, serves as a metaphor for packing all of the joys of summer into a single bottle. The main character of the story is Douglas Spaulding, a 12-year-old boy loosely patterned after the author. Most of the book is focused upon the routines of small-town America, and the simple joys of yesteryear.
As Bradbury writes in "Just This Side of Byzantium," a 1974 essay used as an introduction to the book, Dandelion Wine is a recreation of a boy's childhood, based upon an intertwining of Bradbury's actual experiences and his unique imagination. Dandelion wine is presented as a metaphor of summer, bottled for the winter season of illnesses and wheezing.
In Douglas' words: "Dandelion wine. The words were summer on the tongue. The wine was summer caught and stoppered."
Dandelion Wine has been described as the first of Bradbury's nostalgic "autobiographical fantasies," in which he recreates the childhood memories of his hometown, Waukegan, in the form of a lyrical work, with realistic plots and settings touched with fantasy to represent the magic and wonders of childhood. Even with the focus on the bright days of summer, Bradbury, in his typical style, briefly explores the horrific side of these events.
Farewell Summer, the official sequel to Dandelion Wine, was published in October 2006. While Farewell Summer is a direct continuation of the plot of Dandelion Wine, Something Wicked This Way Comes, a novel with a completely different plot and characters, is often paired with the latter because of their stylistic and thematic similarities.


Dandelion Wine by Ray Bradbury. Simon & Schuster, New York. 2000 (1957)
Fahrenheit 451 by Ray Bradbury. Ballantine Books, New York. 1987
The Martian Chronicles by Ray Bradbury. The Heritage Press. 1974
The Stories of Ray Bradbury. Alfred A. Knopf, New York. 1981

Tuesday, August 19, 2008


Nostalgia


Reading the latest entry on my friend John Enright's blog, Rhyme of the Day, I was reminded of past summers in August and visits with my family to Oklahoma to see my Grandmother.
Each August we would pack up the car and travel from our home in Elkhorn, Wisconsin down Route 66 to Miami, Oklahoma where my mother grew up. I still remember her corner house at 33 G Street NE with a porch that wrapped around two sides facing the street corner. Many evenings I would sit on the porch reading as the daylight slowly waned. My sister and I filled our days with visits to the local swimming pool, the library and, sometimes when a good film was playing, the movie theater downtown. Each of these were places one could cool off as well as have fun. One of the things we often did during these visits was take various side trips to see sites in Oklahoma and Missouri. Over the years we visited Joplin, Tulsa, Will Rogers's home in Claremore, Silver Dollar City and others. One of my fondest memories was visiting The Buffalo Ranch in Afton, Oklahoma. This was not very far as Afton was just a few miles further west on Route 66, but it was unique with the Buffalo (American Bison) and other animals including llamas and yaks. I still have postcards saved from these visits. It is a reminder of another era, growing up in the 1950s, travelling with family and living in what seems now like another world.

Tuesday, September 18, 2007

The Orchard of My Youth

After Apple Picking



Having spent a few Saturdays in my youth out in the orchard picking apples I feel a bit of nostalgia as I contemplate Robert Frost's take on this autumn activity. - JH



After Apple Picking

Poem lyrics of After Apple Picking by Robert Frost.

My long two-pointed ladder's sticking through a tree
Toward heaven still.
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples; I am drowsing off.
I cannot shake the shimmer from my sight
I got from looking through a pane of glass
I skimmed this morning from the water-trough,
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell What form my dreaming was about to take.
Magnified apples appear and reappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
And I keep hearing from the cellar-bin
That rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking;
I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall,
For all That struck the earth,
No matter if not bruised, or spiked with stubble,
Went surely to the cider-apple heap As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.

Tuesday, January 16, 2007

Books in my life

I was reminded while reading the blog at Cafe Hayek of the importance of your parents in shaping your life. Certainly they make a significant contribution which in my case includes my love of books. I remember books in our living room, not only on the shelves but being read by my parents. From the earliest that I can remember I had my own personal books along with a book shelf and my own desk. My books included some, like Alice in Wonderland and Through the Lookingglass, that I still have and cherish and reread. This love of books included regular visits to the library as well, imbedding the images of its rooms in my mind almost as clearly as those of my own home. If asked why do you read I must answer: I read to live.