Showing posts with label Barbara Kingsolver. Show all posts
Showing posts with label Barbara Kingsolver. Show all posts

Wednesday, February 19, 2025

Stereotypical Downturns

Demon Copperhead
Demon Copperhead 






“At the time, I thought my life couldn’t get any worse. Here’s some advice: Don’t ever think that.” ― Barbara Kingsolver, Demon Copperhead






I found the first-person narrator to be annoying and the book to be tedious. I did not find it impressive that David Copperfield was used as the story's model. The story takes a number of depressing turns, such as a stay in a horrifying foster home where Demon is essentially starved. The portrayal of Appalachian life leans into stereotypes; I felt the depiction did not truly capture the diversity of experiences in such communities, and it simplifies them into a narrative of poverty and addiction.


Thursday, September 17, 2020

No Longer Needed

Pigs in Heaven
Pigs in Heaven 


“But kids don't stay with you if you do it right. It's the one job where, the better you are, the more surely you won't be needed in the long run.” 
― Barbara Kingsolver, Pigs in Heaven

This novel continues the lives of Taylor and her adopted daughter Turtle Greer, protagonists of Barbara Kingsolver’s earlier novel The Bean Trees. Some of the themes include the meaning of family, community, motherhood, and belonging. On an Easter vacation trip with Taylor, her adoptive mother, six-year-old Turtle sees a young man, Lucky Buster, fall into a spillway at the Hoover Dam; her seeing him leads to his rescue and her own celebrity. Turtle and Taylor appear on "The Oprah Winfrey Show" with other children who have saved lives. Rescuing Lucky Buster, however, leads to discovery and change for Turtle and Taylor because a young Cherokee attorney, Annawake Fourkiller, sees Turtle and hears her adoption story on television.

Annawake, in spite of being counseled by her superiors to not pursue this case, becomes obsessed with returning Turtle to her Cherokee grandfather. She does this in the belief that Turtle will have an unsatisfactory adult life if she is not brought up in her Cherokee family. I was not impressed with this argument as it basically assumed that the bond between Taylor and Turtle was unimportant in light of Turtle's heritage. Taylor responds by fleeing with her daughter. Taylor’s mother, Alice, leaves her husband, Harland, because she wants more than a dead marriage, and goes to Las Vegas to help Taylor and Turtle. After giving Taylor her savings, Alice travels to the town of Heaven on Cherokee Nation land to stay with her cousin and investigate her rights with the tribe of her grandmother. Her time on the Cherokee land does not lessen her commitment to her daughter and granddaughter, but does help her understand Annawake’s quest.

Taylor loses much of her self-confidence as she works to support herself and Turtle, never having enough money to pay all the bills or to eat very well. Taylor’s eventual decision to take Turtle to the Cherokee Nation to talk to Annawake reminds her of Dorothy’s being taken to the castle of the witch in Oz (I didn't make this up). The choice seems forced as does much of the action in the novel. For example, there is a side character named Barbie who is obsessed with Barbie dolls; apparently this is intended to provide comic relief, but I couldn't determine what she added to the story. Each scene is presented in the author’s folksy third-person voice, and the view of the action is usually limited to the perspective of one of the main characters; however, I did not appreciate the authorial voice and that made the book just that much more difficult.

Disappointing is an understatement. Much of the plot seemed contrived to me and the authorial voice was off-putting. While the central characters Taylor and her adopted daughter, Turtle were sympathetic, that was about the only thing that kept me reading the book.