Showing posts with label Brooklyn. Show all posts
Showing posts with label Brooklyn. Show all posts

Tuesday, September 20, 2011

Urban Literary Lives

Literary Brooklyn: The Writers of Brooklyn and the Story of American City Life
Literary Brooklyn: 
The Writers of Brooklyn 
and the Story of American City Life 
by Evan Hughes

“Night was a wonderful time in Brooklyn in the 1930s. Air conditioning was unknown except in movie houses, and so was television. There was nothing to keep one in the house. Furthermore, few people owned automobiles, so there was nothing to carry one away. That left the streets and the stoops. The very fullness served as an inhibition to crime.”  -   Isaac Asimov 


Urban connections is a theme that runs through the mini-biographies that make up this interesting but flawed literary history. Using Brooklyn as the focal point Evan Hughes chronicles the lives, briefly told, of authors from Whitman to Auster. Along the way we meet authors who were Brooklyn natives like Whitman, Henry Miller and Norman Mailer, and those that migrated to Brooklyn and stayed for a while like Hart Crane, W. H. Auden and William Styron. I was reminded of a favorite book, February House by Sherill Tippins that with a bit more focus does a better job of communicating the spirit of Brooklyn from a special era. That episode is included here as "The Birth of Brooklyn Cool", but pales as do most of the brief lives with the attempt to catalog every conceivable author and keep the book under three hundred pages. One example of the trivia that may appeal to some readers is the aside that notes that Norman Mailer went to the same high school in Bedford-Stuyvesant that also graduated Aaron Copland, Norman Podhoretz and Isaac Asimov.  There is an excellent bibliography, plus notes and an index which makes the book great for browsing. Hughes claims as his "guiding principle" that "literature has a special ability to offer an intimate view of a very particular place and time." He succeeds partially in relating this special ability, but too often merely shares anecdotes about authors that, while interesting, did not rise to that level. Perhaps the grand sweep of years combined with the impressive quantity of admittedly high quality writers was too much to allow this approach in one volume. Nevertheless this is a fascinating book about a city and its writers.






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Saturday, January 22, 2011

An Irish Lass in Brooklyn

Brooklyn
Brooklyn : a novel



"In the silence that lingered, she realized, it had somehow been tacitly arranged that Eilis would go to America." (p 25)


Doors opened and closed, sunlight and shade, yesterdays and tomorrows; these are all motifs that come to mind as I consider the beauty of Colm Toibin's poignant novel, Brooklyn. Brooklyn is the tomorrow when the novel begins and almost becomes the yesterday that is forgotten as Toibin shares the story of Eilis Lacey in his own unsensational way. From the start the importance of her family permeates the book as seen in the simple opening sentence:  "Eilis Lacey, sitting at the window of the upstairs living room in the houseon Friary Street, noticed her sister walking briskly from work." (p 3)


Her sister, Rose, along with her mother are important in Eilis's young life as she experiences the opening and closing of doors. The way Eilis who appears almost stoic at times, yet is full of emotional turmoil inside, handles the major changes in her life is both touching and endearing. I often tell a close friend that I do not love (or hate) a character in a book, but I grew to love Eilis as her character matured. For this is also an Irish-American bildungsroman with Eilis, encouraged by her sister, growing and learning and maturing into a woman who must face some difficult decisions.
Colm Toibin tells this story through the accumulation of small moments that gradually cohere to form a novel that deals with profound questions of love and life and death. He is at his best when he describes how difficult it is for Eilis to communicate her innermost desires with those closest to her. His abililty to describe the impact of both memories on the moment and the being of the other resonated with my own experience. Meditating on her family that she left in Ireland she muses: "they would never know her now. Maybe, she thought, they had never known her, any of them" (p 73) 



The otherness of Eilis that permeates the novel arises more than from the isolation of an Irish girl in Brooklyn, but also from the tensions that develop as she tries to develop her own identity as a woman and face the choices she must make as one. It is these choices, the beauty of Toibin's prose, and the impression that he leaves you with - a feeling that you have shared a part of the life of this young woman from Ireland - that make this a meaningful novel.


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