Find Me
“Everything in my life was merely prologue until now, merely delay, merely pastime, merely waste of time until I came to know you.” ― André Aciman, Find Me
The melancholy Call Me by Your Name by André Aciman has spoken more powerfully to modern readers about the essence of love than any book in recent memory. It was praised for being "a love letter, an invocation...an exceptionally beautiful book" (Stacey D'Erasmo, The New York Times Book Review) when it was first released in 2007. A popular, Academy Award-winning movie based on the best-selling book has about three quarters of a million copies in circulation. In this continuation of the story Aciman depicts Elio's father, Samuel, traveling from Florence to Rome to see his son who has become a talented classical pianist. Sami's plans are upset and his life is changed forever when he encounters a stunning young woman by chance on the train.
Elio soon relocates to Paris, where he also has become involved in a significant relationship, while Oliver, who is now a professor at a college in New England with a family, finds himself suddenly considering a return trip across the Atlantic.
Aciman is a master of sensibility, the personal details, and the subtle emotional undertones that make up passion. The question of whether true love actually ever dies is raised by Find Me, which takes us back to the magical realm of one of our greatest modern romances. However, I found the journey to be somewhat muddled and not up to the high quality and intensity of the previous novel where Elio and Oliver first encountered each other.
Call Me by Your Name
“Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain. (p. 225)” ― André Aciman, Call Me by Your Name
What is the difference between the lover and beloved, the watcher and the one watched? In his story of Eros and education the author, Andre Aciman, considers these questions and with his narrative demonstrates the answers. With emphasis on the erotic, he has created an almost Proustian meditation on time and desire, a love letter, an invocation in words that one must call simply "beautiful". His novel, Call Me by Your Name, is a wonderful tale whose dream-like qualities continually evoke the narrator's obscure object of desire which is, by definition, inexpiable, and indeterminate. The story is one of a young man, Elio, and a slightly older man, Oliver, for whom Elio obsesses with a passion that is filled with Mediterranean fire, yet mediated by a classical patina not unlike that suggested in the less accurate translations of Plato's dialogues. For further details of the story I recommend you read the book, not because it is banal but rather because it is too beautiful to risk spoiling.
This book constantly reminded me that it was fiction - the product of an imagination able to create an unreal dream world - yet I did not mind because it was simply, joyously readable. I was both entranced and intrigued by the narrator, whose name is withheld for much of the novel, but this is because, as the title implies, he is entranced and intrigued himself by his family's summer guest, Oliver, who seems to be nothing less than a Greek god. The subtle allusions to poetry and philosophy, the music of the senses, add to the magnificence of this short novel. Perhaps it will not effect everyone the same as it did me, but for those who appreciate the classical source of beauty this is a novel that ranks with Mann and Gide in its glistening presence.
The book has recently been translated to film by Luca Guadagnino. Starring Timothee Chalamet, Armie Hammer, and Michael Stuhlbarg. It is a transcendent recreation of the novel that truly captures the heart of Andre Aciman's narrative voice.
