Transcripts of a Life

Stella Maris 

by Cormac McCarthy

“If you had to say something definitive about the world in a single sentence what would that sentence be?

It would be this: the world has created no living thing that it does not intend to destroy.”   ― Cormac McCarthy, Stella Maris

BLACK RIVER FALLS, WISCONSIN - 1972 Twenty-year-old Alicia Western checks herself into the hospital with $40,000 in a plastic bag. Alicia is a paranoid schizophrenia patient who is a doctorate candidate in mathematics at the University of Chicago. She does not want to talk about her brother Bobby because of her illness. Instead, she ponders the nature of madness and how people insist on having a single experience of the world. She also remembers a time when, at the age of seven, her own grandmother was worried about her. She also examines the nexus of physics and philosophy and introduces her cohorts, her chimeras, and the hallucinations that only she can see. She continues to be sad for Bobby, who isn't quite dead and isn't quite hers.

Stella Maris is a conceptual novel that is told entirely through the transcripts of Alicia's psychiatric sessions. It examines subjects such as the nature of consciousness, gnosticism, literary allusions, and the eschaton while remaining utterly grounded in reality. It is likely to make you question whether your life is being written by fate. It is a probing, meticulous, and intellectually demanding conclusion to The Passenger, a philosophical investigation that challenges our beliefs about God, reality, and existence. 

If you are a reader like me you will want to immediately reread these two novels after finishing Stella Maris. The combination of these two novels provide a fitting postlude to the literary life of Cormac McCarthy.