Friday, August 30, 2024

Resistance and Revolt

The Captive Mind
The Captive Mind 



“A man may persuade himself, by the most logical reasoning, that he will greatly benefit his health by swallowing live frogs; and, thus rationally convinced, he may swallow a first frog, then the second; but at the third his stomach will revolt. In the same way, the growing influence of the doctrine on my way of thinking came up against the resistance of my whole nature.”   ― Czeslaw Milosz, The Captive Mind




1911 saw the birth of Czesław Miłosz in central Lithuania, which was then a part of the Russian Empire. In two books, Native Realm, his memoir, and The Issa Valley, his novel, he wrote affectionately about his childhood in Lithuania. When he visited Paris in his twenties, he was impacted by the poetry of his distant cousin Oscar Milosz, a French poet with Lithuanian ancestry. The outcome, a collection of his own poems, was released in 1934. That year, he graduated from law school and again took advantage of a fellowship to spend a year in Paris. He was fired from his position as a commentator at Radio Wilno after returning to Poland due to his leftist beliefs.

Miłosz spent World War II in Warsaw, under Nazi Germany's "General Government," where, among other things, he attended underground lectures by Polish philosopher and historian of philosophy and aesthetics, Władysław Tatarkiewicz. He did not participate in the Warsaw Uprising due to his residence outside of Warsaw proper. Following the conflict, Miłosz worked as the communist People's Republic of Poland's cultural attaché in Paris. He did, however, defect in 1951 and seek political asylum in France. The Prix Littéraire Européen (European Literary Prize) was awarded to him in 1953.

Miłosz immigrated to the United States in 1960, obtained US citizenship in 1970, and was awarded the Nobel Prize in Literature in 1980 for his work "Voiding man's exposed condition in a world of severe conflicts with uncompromising clear-sightedness." Many Poles were unaware of him for the first time, as the communist government had banned his works from being published in Poland. Miłosz continued to spend time annually in America but was able to return to Poland after the fall of the Iron Curtain, first as a visitor and then as a part-time resident in Kraków. Miłosz was awarded the National Medal of Arts by the United States and an honorary doctorate by Harvard University in 1989. Through the Cold War, his name was often invoked in the United States, particularly by conservative commentators such as William F. Buckley, Jr., usually in the context of Miłosz's 1953 book The Captive Mind. During the same time, his name was largely ignored by the government-censored media and publications in Poland.

The Captive Mind has been described as one of the finest studies of the behavior of intellectuals under a repressive regime. In the preface, Miłosz observed that "I lived through five years of Nazi occupation... I do not regret those years in Warsaw.". But it is his analysis of Poland and her intellectuals under the heel of Soviet Communism that is the primary content of this book. Through the examples of four intellectuals, Milosz is able to capture the psychological impact on the lives of his countrymen. The criticism is devastating, and it has not lost its impact more than fifty years later. He even was prescient enough to speculate that the Soviet dictatorship might fall at some future date; little did he know in 1953 that it would come to pass less than thirty years later. This reader found that Milosz' prose is as beautifully written as his poetry, and he is an author to whom I will continue to return for inspiration.


Wednesday, August 28, 2024

War in Mozambique

Sleepwalking Land
Sleepwalking Land 






"She had only one remedy to make her recover: that was to tell her story. I told her I would listen to her , no matter how long it took." - Mia Couto







For me as a reader who was not familiar with Mozambican history or life during a civil war, Sleepwalking Land's nonlinear feeling was ideal because it gave me a surreal introduction to living in a violent and confusing political environment.

An emotional tale about war and its aftermath emerges from the travelogue of an elderly man and a young boy in Mozambique. Does it inspire hope or just a sense of emptiness? A picture of humanity in harsh circumstances is produced by the characters' sincerity and their predicament. It is a book that I would recommend to all readers interested in the story of Africa and its many denizens.


Infatuation and Doomed Love

Flesh and Blood
Flesh and Blood 




"if only the beating of his heart could catch the rhythm of  those tranquil constellations which never moved from their appointed course!" - Francois Mauriac









A young man of peasant origins becomes infatuated with the sister of his new friend Edward, son of a wealthy landowner. The story of Flesh and Blood may seem like a typical tale of riches and poverty, of doomed love, and of an overindulgent attachment to worldly pleasures rather than the core of what really matters. In actuality, though, it raises deeper and more profound issues regarding life, death, love, and the significance of having faith in God. 

Well-known, Nobel Prize-winning, French novelist Francois Mauriac creates complex characters that, in spite of their disparate social classes, cultural backgrounds, customs, and beliefs, struggle with who they are and how to define their identities. A book filled with secrets, revelations, and the pursuit of elusive solutions.


Monday, August 26, 2024

French Revolution

A Tale of Two Cities"
A Tale of Two Cities 




"In the moonlight which is always sad, as the light of the sun itself is—as the light called human life is—at its coming and its going."  - Charles Dickens






In Charles Dicken's novel, A Tale of Two Cities, the beautiful Lucy Manette marries Charles Darnay, the descendant of an aristocratic French family denounced by the revolutionaries, among whom are the memorably evil fanatic Mme. Defarge. The narrative is leaner than the typical Dickens' novel, but that does not minimize the reader's delight. As you might expect, Lucy, as wife to Charles, is able to withstand the separation from him while he is imprisoned awaiting apparent doom buoyed by her love for him. 

In many respects Lucy remains a cypher, not unlike some of Dicken's other fictional women, perhaps in part because, unlike Esther Summerson in Bleak House, we never are allowed to share her thoughts. Fate and death intervene in the world created by Dickens with the express intent to mirror history. The novel succeeds in rendering the horrors of the French Revolution in brilliant fictional style.


Monday, August 05, 2024

Reckless Impulses

In Tongues
In Tongues 





"wondering if my reckless impulses would ever settle down. Thought, too, about what might still change for me, what would stay the same." - Thomas Grattan






This is a moving portrait
of a young gay man making his way in New York City, accompanied by an interesting network of friends and acquaintances. The story drew me in right away in a way that similar gay fiction has rarely done for me. This was in part because the narrator reminded me of Philip Carey in Somerset Maugham's Of Human Bondage, one of my favorite novels.

It is a perceptive examination of class, family, and gay men's inheritance across generations. Gordon, the main character, is a twenty-four-year-old man who was raised in Minneapolis by discordant working-class parents. He leaves for New York City in 2001, just before the 9/11 attacks, after being dumped by his boyfriend, using $200 he stole from him. He eventually secures a job walking dogs for the wealthy Philip and Nicola, the owners of an art gallery. They quickly requested that he work as their personal assistant. The author uses this couple to illustrate the way of life of the extremely wealthy. While Philip is aloof and patrician, Nicola, the younger member of the couple, appears to be resentful of Gordon's presence. Before he makes a mistake that will end the close bond between the three of them, Gordon still has a lot to learn about navigating the complexities of their sophisticated lives. 

For the majority of the book, Gordon is reckless and impish. However, he slowly matures, while his memories of his early misadventures continue to bother him. Gordon's voice is dark, humorous, and ultimately reprimanding, making him a remarkable narrator. Though Gordon learns to control himself rather than wreaking more havoc, the book builds on the self-absorbed, occasionally cruel protagonists similar to those of Edmund White's earlier works.